![]() And it translated splendidly in concert, with all of Hozier's seven backing musicians often chiming in together for those sweeping, wordless backing vocals. Like the best church music, it's a sound designed to inspire, a sound both otherworldly and intimate. "Wasteland, Baby!" is frequently a continuation of the Gothic blues that made "Take Me to Church" such a sensation five years ago, with romantically penned, almost mythical lyrics surrounded by dramatic, yet sparse, choirs, organs and drums. There was jubilation Thursday when Hozier busted out a jagged guitar part for "Dinner and Diatribes," and briefly ripped into some crunchy riffs during "Jackie and Wilson." But Hozier's guitar work is only a small fraction of this rocker's appeal. One of them is Hozier, with his sophomore full-length "Wasteland, Baby!," released in March. 1 albums on the Billboard 200 in 2019 so far. The once-dominant genre has been eclipsed by hip-hop and R&B in recent years, to the point that only two rock acts have had No. When it comes to rock's future, Hozier could become one of its saviors. At times, the Irishman's hour-and-50-minute Milwaukee appearance felt more like a rousing Sunday service than a concert. A sweaty flock of "parishioners" replenished by water (poured into their mouths by security guards). ![]() ![]() The singer's hands held up to the heavens. Thursday at a sold-out Eagles Ballroom at the Rave, it was practically his mission statement.Ĭompelling choirs. "Take Me to Church" is more than just Hozier's biggest hit.
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